Welcome back to another Top 5 Saturday! Just in case you don’t know Top 5 Saturday is a weekly meme created by Mandy @ Devouring Books and it’s where we list the top five books (they can be books on your TBR, favourite books, books you loved/hated) based on the week’s topic. You can see the upcoming schedule at the end of my post 🙂 This week’s topic is actually: desert setting.
I’ve missed a couple Saturday posts but last week’s topic was love triangles and I would’ve struggled hard to have come up with any books cos love triangles are not my jam. It is one of my most hated tropes because the angst is so real and I’m not for that. But I digress! I’m glad be back and posting for today’s desert prompt. All of these are on my TBR although I’ve heard great things about the books and am looking forward to checking them out. They’re all (unsurprisingly) of the fantasy genre and surprisingly, none of them are retellings of the one thousand and one nights (at least I don’t think so but please let me know in the comments if I’m wrong)! I’m not particularly fussed about desert settings–I don’t seek out books with this setting but I also don’t mind reading stories set in the desert. Admittedly, I can actually only recall one desert fantasy and that’s The Kinder Poison (which is awesome and I would highly recommend btw)! On that note, here are five books with desert settings that I’d love to read (soonish):
Nahri has never believed in magic. Certainly, she has power; on the streets of 18th century Cairo, she’s a con woman of unsurpassed talent. But she knows better than anyone that the trade she uses to get by—palm readings, zars, healings—are all tricks, sleights of hand, learned skills; a means to the delightful end of swindling Ottoman nobles. But when Nahri accidentally summons an equally sly, darkly mysterious djinn warrior to her side during one of her cons, she’s forced to accept that the magical world she thought only existed in childhood stories is real. For the warrior tells her a new tale: across hot, windswept sands teeming with creatures of fire, and rivers where the mythical marid sleep; past ruins of once-magnificent human metropolises, and mountains where the circling hawks are not what they seem, lies Daevabad, the legendary city of brass, a city to which Nahri is irrevocably bound.
In that city, behind gilded brass walls laced with enchantments, behind the six gates of the six djinn tribes, old resentments are simmering. And when Nahri decides to enter this world, she learns that true power is fierce and brutal. That magic cannot shield her from the dangerous web of court politics. That even the cleverest of schemes can have deadly consequences. After all, there is a reason they say be careful what you wish for…
It is the summer of 2011, and Nour has just lost her father to cancer. Her mother, a cartographer who creates unusual, hand-painted maps, decides to move Nour and her sisters from New York City back to Syria to be closer to their family. But the country Nour’s mother once knew is changing, and it isn’t long before protests and shelling threaten their quiet Homs neighborhood. When a shell destroys Nour’s house and almost takes her life, she and her family are forced to choose: stay and risk more violence or flee as refugees across seven countries of the Middle East and North Africa in search of safety. As their journey becomes more and more challenging, Nour’s idea of home becomes a dream she struggles to remember and a hope she cannot live without. More than eight hundred years earlier, Rawiya, sixteen and a widow’s daughter, knows she must do something to help her impoverished mother. Restless and longing to see the world, she leaves home to seek her fortune. Disguising herself as a boy named Rami, she becomes an apprentice to al-Idrisi, who has been commissioned by King Roger II of Sicily to create a map of the world. In his employ, Rawiya embarks on an epic journey across the Middle East and the north of Africa where she encounters ferocious mythical beasts, epic battles, and real historical figures.
People lived because she killed. People died because he lived.
Zafira is the Hunter, disguising herself as a man when she braves the cursed forest of the Arz to feed her people. Nasir is the Prince of Death, assassinating those foolish enough to defy his autocratic father, the sultan. If Zafira was exposed as a girl, all of her achievements would be rejected; if Nasir displayed his compassion, his father would punish him in the most brutal of ways. Both Zafira and Nasir are legends in the kingdom of Arawiya–but neither wants to be.
War is brewing, and the Arz sweeps closer with each passing day, engulfing the land in shadow. When Zafira embarks on a quest to uncover a lost artifact that can restore magic to her suffering world and stop the Arz, Nasir is sent by the sultan on a similar mission: retrieve the artifact and kill the Hunter. But an ancient evil stirs as their journey unfolds–and the prize they seek may pose a threat greater than either can imagine.
In the mythical desert kingdom of Achra, an ancient law forces sixteen-year-old Princess Kateri to fight in the arena to prove her right to rule. For Kateri, winning also means fulfilling a promise to her late mother that she would protect her people, who are struggling through windstorms and drought. The situation is worsened by the gang of Desert Boys that frequently raids the city wells, forcing the king to ration what little water is left. The punishment for stealing water is a choice between two doors: behind one lies freedom, and behind the other is a tiger. But when Kateri’s final opponent is announced, she knows she cannot win. In desperation, she turns to the desert and the one person she never thought she’d side with. What Kateri discovers twists her world—and her heart—upside down. Her future is now behind two doors—only she’s not sure which holds the key to keeping her kingdom and which releases the tiger.
A nobleman’s daughter with magic in her blood. An empire built on the dreams of enslaved gods. Empire of Sand is Tasha Suri’s captivating, Mughal India-inspired debut fantasy. The Amrithi are outcasts; nomads descended of desert spirits, they are coveted and persecuted throughout the Empire for the power in their blood. Mehr is the illegitimate daughter of an imperial governor and an exiled Amrithi mother she can barely remember, but whose face and magic she has inherited. When Mehr’s power comes to the attention of the Emperor’s most feared mystics, she must use every ounce of will, subtlety, and power she possesses to resist their cruel agenda. Should she fail, the gods themselves may awaken seeking vengeance…
20 Mar 2021 — Love Triangle
- 27 Mar 2021 — Desert Setting
- 03 Apr 2021 — Diverse Characters
- 10 Apr 2021 — Blood on the Cover
- 17 Apr 2021 — Longest Books (Books you’ve read, on your TBR.)
Do you like reading books that are set in the desert? Do you notice any cover or trope themes for books set in the desert? Are any of these on your TBR too?