Welcome back to another Top 5 Saturday! Just in case you don’t know Top 5 Saturday is a weekly meme created by Mandy @ Devouring Books and it’s where we list the top five books (they can be books on your TBR, favourite books, books you loved/hated) based on the week’s topic. You can see the upcoming schedule at the end of my post 🙂 This week’s topic is actually: Metal in the Title (Gold, Silver, Brass, Steel, etc.).
I surprisingly don’t have a lot of books with metals in the titles and neither have I read that many apparently, but I did mange to *just* come up with a list of five that I’m looking forward to reading (mostly). One of them, The Goldfinch has been sat unfinished on my TBR since I started reading it during my worst ever reading slump and that was a bad decision as now I associate that book to that horrible time? I got about 70% through the book and I’m sad I didn’t push myself to keep reading it. The others are ones that I’ve heard mostly good things about while some, like Silver Sparrow, I’ve seen mostly mixed reviews for. Still, I’m eager to check all of these out at some point, especially The City of Brass as so many people have raved about how good that series is!
It begins with a boy. Theo Decker, a thirteen-year-old New Yorker, miraculously survives an accident that kills his mother. Abandoned by his father, Theo is taken in by the family of a wealthy friend. Bewildered by his strange new home on Park Avenue, disturbed by schoolmates who don’t know how to talk to him, and tormented above all by his unbearable longing for his mother, he clings to one thing that reminds him of her: a small, mysteriously captivating painting that ultimately draws Theo into the underworld of art.
As an adult, Theo moves silkily between the drawing rooms of the rich and the dusty labyrinth of an antiques store where he works. He is alienated and in love-and at the center of a narrowing, ever more dangerous circle. The Goldfinch combines vivid characters, mesmerizing language, and suspense, while plumbing with a philosopher’s calm the deepest mysteries of love, identity, and art. It is an old-fashioned story of loss and obsession, survival and self-invention, and the ruthless machinations of fate.
Nahri has never believed in magic. Certainly, she has power; on the streets of 18th century Cairo, she’s a con woman of unsurpassed talent. But she knows better than anyone that the trade she uses to get by—palm readings, zars, healings—are all tricks, sleights of hand, learned skills; a means to the delightful end of swindling Ottoman nobles. But when Nahri accidentally summons an equally sly, darkly mysterious djinn warrior to her side during one of her cons, she’s forced to accept that the magical world she thought only existed in childhood stories is real. For the warrior tells her a new tale: across hot, windswept sands teeming with creatures of fire, and rivers where the mythical marid sleep; past ruins of once-magnificent human metropolises, and mountains where the circling hawks are not what they seem, lies Daevabad, the legendary city of brass, a city to which Nahri is irrevocably bound. In that city, behind gilded brass walls laced with enchantments, behind the six gates of the six djinn tribes, old resentments are simmering. And when Nahri decides to enter this world, she learns that true power is fierce and brutal. That magic cannot shield her from the dangerous web of court politics. That even the cleverest of schemes can have deadly consequences. After all, there is a reason they say be careful what you wish for…
There is a Wild Man who lives in the deep quiet of Greenhollow, and he listens to the wood. Tobias, tethered to the forest, does not dwell on his past life, but he lives a perfectly unremarkable existence with his cottage, his cat, and his dryads. When Greenhollow Hall acquires a handsome, intensely curious new owner in Henry Silver, everything changes. Old secrets better left buried are dug up, and Tobias is forced to reckon with his troubled past—both the green magic of the woods, and the dark things that rest in its heart.
Divided by their castes. United by their vengeance.
Iraya has spent her life in a cell, but every day brings her closer to freedom—and vengeance.
Jazmyne is the queen’s daughter, but unlike her sister before her, she has no intention of dying to strengthen her mother’s power. Sworn enemies, these two witches enter a precarious alliance to take down a mutual threat. But revenge is a bloody pursuit, and nothing is certain—except the lengths they will go to win this game.
Deadly, fierce, magnetically addictive: this Jamaican-inspired fantasy debut is a thrilling journey where dangerous magic reigns supreme and betrayal lurks beneath every word.
With the opening line of “Silver Sparrow,” “My father, James Witherspoon, is a bigamist,” author Tayari Jones unveils a breathtaking story about a man’s deception, a family’s complicity, and the two teenage girls caught in the middle.Set in a middle-class neighborhood in Atlanta in the 1980s, the novel revolves around James Witherspoon’s two families–the public one and the secret one. When the daughters from each family meet and form a friendship, only one of them knows they are sisters. It is a relationship destined to explode.
02 Jan 2021 – Books You Meant to Read Last Year 09 Jan 2021 – Multiple Points of View
- 16 Jan 2021 – Metal in the Title (Gold, Silver, Brass, Steel, etc.)
- 23 Jan 2021 – Book About Competition (Tournament, Race, Sibling Rivalry, etc.)
- 30 Jan 2021 – Weapons on the Cover
Do you have a lot of books with a metal in the title? Have you read any of these ones? Do you find yourself particularly intrigued by or attracted to titles that have a metal in the title?